倒计时
5.9- HD中字
- 英语
- 2024-05-17 08:30:43
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完结
中国大陆 / 国语 / 剧情
尤勇智,李幼斌,耿乐,杜雨露,宋佳,史兰芽,蒋林静,许月婷,蒋昌义,谷伟,谢伟才,张柏俊,杨和平,葛石柱,虞军豪,王伟军,杨洪武,张弓,刘旭,王岗,刘欣,左佰学,王响伟,王荫斋,任宝成,闵政,丁正勇,李超,雷雷,付枫楠,李霆,周海峰,张丹丹,王真真,李建峰,过齐鸣,王庆,任学海,奕祖迅,张全胜,张春华,赵军凯,刘洋,张鸿斌,张宁,李磊,石亚军,蒋冰,海燕,李新华,郭洪杰,毕静,于天川,赵贵祥
10.0红日 -
HD
中国大陆 / 国语 / 悬疑,奇幻,武侠,古装,剧情
杨旭文,杨志刚,郜思雯,陈创,孙雪宁,石悦安鑫,张子健,姚安濂,王劲松,范明,岳丽娜,刘智扬,牛宝军,罗嘉良,张黎明,牛北壬,马赫,周骏超,奚望,吴春怡,韩承羽,姬晨牧,任希鸿,冯玉玺,白庆琳,李星昊,王力,孙信宏,张怀公,曲霄宇,杨舒枫,林江国,徐福来,梁咏妮,张明明,都钊,周云深,依灵,任学海,孙灿,陈芊桦,埃米尔,达来哈里呼,崔一凡,甄少华,上官瞳,张文俊,徐伟,朱翔,晁志谦,张恒瑞,黄弼兴,李栋,张钧译,丁志勇,朱海军,吕春生,王铂清,王斌,魏子杨,王九胜,钟夫翔,郝明奇,杨猛,王焱,邵老五,张昆
4.0唐朝诡事录 -
完结
中国大陆 / 国语 / 剧情
刘涛,陈刚,乔雪凤,牛军,陈青青,凌云,于恒
10.0第一目标 -
已完结
中国香港 / 粤语 / 剧情
周润发,赵雅芝,吕良伟,刘丹,汤镇业,林建明,廖启智,景黛音,陈立品
5.0上海滩粤语 -
HD
中国香港 / 粤语,国语 / 剧情
苗侨伟,佘诗曼,林峯,沈震轩,陈敏之,江美仪,许绍雄,高海宁,梁竞徽,邓健泓,黄祥兴,刘江,梁靖琪,韩马利,吕珊,苏恩磁,陈倩扬,欧瑞伟,彭怀安,李海生,李冈龙,林伟,何启南,张振朗,张国强,贝安琪,罗乐林,蔡康年
3.0使徒行者国语 -
已完结
中国大陆 / 普通话,国语 / 剧情
孙红雷,陈小艺,邢佳栋,崔可法,张晗
2.0军歌嘹亮 -
HD
中国大陆 / 国语 / 剧情
张天爱,张若昀,许魏洲,何泓姗,赵东泽,梁宝羚,许娣,孙松,张龄心,白冰
3.0爱情进化论 -
HD
中国大陆 / 国语 / 剧情
陈数,雷佳音,李光洁,陶慧,张一龙,陈冠宁,阎隽溪,王玥兮,曹力,孔维,张帆,王奕权,郭秋成,马灿灿,王屿,王侃
2.0和平饭店 -
HD
中国大陆 / 国语 / 剧情
佟丽娅,袁弘,王雷,李小萌,刘威,尤勇智,张浩天,吕一,尹智玄,戴墨,康爱石,辛凯,汪芦云,鲁诺,夏凡,陈卫
8.0平凡的世界 -
HD
中国大陆 / 国语 / 剧情
张嘉益,周一围,谭卓,张天爱,何蓝逗,梅婷,雷佳音,倪妮,张静初,蒋欣,朱亚文,徐璐,赵魏,尹昉,杨洋,赵今麦,张云龙,任重,陈数,陆毅,阚清子,黄景瑜,李小冉,张晞临,刘敏涛,贾乃亮,倪大红,奚美娟,张萌,靳东,孙佳雨,毛晓慧,黄志忠,王自健,邓伦,李沁,董洁,刘琳,李百惠,海清,冯绍峰,孙俪,董璇,涂松岩,保剑锋,段博文,王建国
6.0在一起 -
HD
中国大陆 / 国语 / 剧情
陈思诚,袁弘,佟丽娅,郭采洁,赵立新,倪大红,刘奕君,果靖霖,谭凯,成泰燊,徐僧,田小洁,杜志国,张双利,李萍,王德顺,晋松,王砚辉,谢苗,戴墨,付美,张羽,桑平,郑伟,姚安濂,霍亚明,言杰,曹操,郭鹏,谢闻轩,张国庆,刘智满,刘智堂,刘智福,吴迪,黄志忠,连奕名,金士杰,刘昊然,曹炳琨,郭京飞,释彦能,张俪,富大龙,李念,许亚军,尹铸胜,刘欢,姜峰,任正斌,曹可凡,班赞,尹君正,王屿
7.0远大前程 -
HD
美国 / 英语 / 剧情
苏珊·萨兰登,詹姆斯·斯派德,杰森·亚历山大,凯西·贝茨,艾琳·布伦南,史蒂芬·希尔,瑞秋·夏卡尔,科里·帕克,蕾妮·泰勒,乔纳森·潘内尔,BarbaraHoward,肯·迈尔斯,MitziMcCall
10.0情挑六月花
影片名称:倒计时
上映时间:1969
国家地区:英国
影片语言:英语
影片类型:剧情片
影片导演:大卫·格瑞尼
影片主演:珍妮·艾加特 布莱恩·马歇尔 Clare Sutcliffe 西蒙·沃德
资源更新:HD中字
总播放次数:2
入库更新时间:2024-04-24 21:56:52
倒计时剧情:
The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
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